Monument to a Lost Civilization

Monument to a Lost Civilization is at once the most comprehensive retrospective to date and Kabakov’s grandest statement. Originally exhibited in Palermo, Italy, in 1999, the monument includes 38 installations out of a self-declared oeuvre of 140 artworks. The installations within Monument were chosen because they all reference the Soviet Union, or the lost civilization. The monument serves as a reminder to the Sicilians in Palermo who hope to create a new society. Emilia Kabakov warns, “Don’t repeat our mistakes, look at your dreams clearly, but don’t sacrifice the people in the name of ideology.” According to Kabakov’s plans, Monument to a Lost Civilization is to exist below ground in a space without any windows, which might allow the viewer to find solace through the sight of the sky. The space was to be designed like a cavernous lair impossible to navigate where visitors will get lost. They will ask directions to the garden and be told they must find the final room, only to discover the door to the garden, which the artist equate with paradise, locked. In part due to the monument’s enormous size, viewers would enter and forget where the exit is, but never forget what is outside as they begin to feel an atmosphere resembling the Soviet Union, giving “an idea of totalitarianism.”